Contact Me

Saying Hi in High Park. Photo by David Kopman.

Saying Hi in High Park.

For Bookings, Licensing, Commissioning

Lisa Horvat, Manager [Press Kit]
416-434-7870
lisa@frankhorvat.com

For interview requests or additional information, please contact us at:

lisa@frankhorvat.com
or
that PR thing – Danielle Iversen, Publicist
416-923-6566 or d@thatPRthing.com

If you actually wanted to get in touch with me:

contactme@frankhorvat.com

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Recent Posts
I’m 40!?
Huh? I haven’t given this much thought. It kind of sneaks up on you doesn’t it? I’ve always had that gnawing feeling in my gut that time is running out (that’s pretty much what my new album, I Can See You, is all about) but should 40 make that feeling worse or has nothing changed? […]
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Recent Posts
Earth Hour… Nooooo #momentofdarkness
I’ve been participating or you could say, celebrating, WWF’s Earth Hour from the start. One year they invited me to play an Earth Hour party and that’s when I realized that music sounds different in the dark. [more on that party here] That experience inspired me to write a 60-minute soundtrack for the night. Over […]
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Recent Posts
Disappointment in the mail turns into a bigger question
I have to start by being transparent and saying that I used to work at WWF-Canada. I left that org a little over two years ago and since then I keep on getting their snail mail, urgh. I’ve emailed and called four or five times now asking to be permanently removed from their list. Why […]
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Recent Posts
Earth Hour is two weeks away and…
… I just realized I haven’t organized a performance of my piano piece of the same name. After having played at an Earth Hour event in 2009, I composed an Earth Hour soundtrack. A 60-minute piano piece written in and performed in the dark to mark this international lights-out event that happens every March in […]
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Recent Posts
To a composer, world premieres should be awesome, right?
I’ve been really lucky these past 6 months or so. Wonderful performers and wonderful concert series have premiered so many of my compositions. What better feeling can a composer have than sitting in an audience hearing their notes come alive in a big hall? It is definitely a powerful feeling but not the joyous one […]
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