1995-96 / Chamber Music
DURATION
15 minutesINSTRUMENTATION
string quartet (2 violins, viola, cello)
- String Quartet No. 1 - First Movement (live) Soo-Jung Yu (violin), Stephanie Numan (violin), Cindy Babyn (viola), Meran Currie-Roberts (cello) 04:14
- String Quartet No. 1 - Second Movement (live) Soo-Jung Yu (violin), Stephanie Numan (violin), Cindy Babyn (viola), Meran Currie-Roberts (cello) 03:40
- String Quartet No. 1 - Third Movement (live) Soo-Jung Yu (violin), Stephanie Numan (violin), Cindy Babyn (viola), Meran Currie-Roberts (cello) 07:04
Programme Notes
1st Movement (4 min) – Moderato Cantabile
After attending a performance of Bartók’s Music for Strings, Percussion, and Celesta, I was inspired by his contrapuntal treatment of the strings in the opening. My imitative material features a very lyrical subject that occasionally morphs into something chaotic. But, true to form, I’m a tease—it’s only a brief sojourn into anarchy before returning to the sweet subject of the movement.
2nd Movement (4 min) – Adagio non vibrato
In this slow movement, I aimed to create a “dry” tone, free from the techniques typically used to shape lyrical string music in the traditional Romantic style. Texturally, I leaned toward a choral-like, homorhythmic treatment, with harmonic parallelism that lends the movement a slight macabre quality.
3rd Movement (7 min) – Energico
The most virtuosic of the three movements, this finale features vigorous “sawing” of the bows. Its intense rhythmic drive suddenly gives way to a contrasting middle section, which pays homage to the previous two movements with a slower, drier tone and individual voices entering in a fugal manner. Later, all instruments use tremolo simultaneously, creating a mood of extreme tension. The coda starkly contrasts the rest of the movement, featuring a foreboding, non-rhythmic tone.
– Frank Horvat
RECORDING
Date: March 31, 1996
Musicians: Soo-Jung Yu (violin), Stephanie Numan (violin), Cindy Babyn (viola), Meran Currie-Roberts (cello)
Engineer: Frank Horvat
Location: University of Toronto, Faculty of Music, Walter Hall
PERFORMANCES
World Premiere:
March 14 and March 31, 1996
Toronto Canada